The film revolves around the traditional Czech hat, known as the zmijovka in the Czech Republic and the budajka in Slovakia, which has unexpectedly become a symbol of the anti-colonial movement in Africa and the global fight against racial oppression. Deffontaines seeks to uncover the multifaceted story of the hat, which has become an attribute of Czech working-class folks in the countryside, while in Slovakia, it is associated with the leader of the November Revolution, political dissident Ján Budaj, who wore it while working as a manual labourer.previousnextemail print share on Facebook share on Twitter share on LinkedIn share on reddit pin on PinterestPRODUCTION / FUNDING Czech Republic / Slovakia / FranceViolette Deffontaines travels from Czechoslovakia to the heart of anti-colonial Africa in Beyond a Knit Capby Martin Kudláč30/11/2023 - The documentary delves into the surprising connections between a traditional Czech hat, the global anti-colonial movement and intertwining cultures in the globalised worldViolette Deffontaines travels from Czechoslovakia to the heart of anti-colonial Africa in Beyond a Knit CapBeyond a Knit Cap by Violette DeffontainesSorbonne and FAMU graduate Violette Deffontaines is working on her feature-length documentary debut, Beyond a Knit Cap. The film revolves around the traditional Czech hat, known as the zmijovka in the Czech Republic and the budajka in Slovakia, which has unexpectedly become a symbol of the anti-colonial movement in Africa and the global fight against racial oppression. Deffontaines seeks to uncover the multifaceted story of the hat, which has become an attribute of Czech working-class folks in the countryside, while in Slovakia, it is associated with the leader of the November Revolution, political dissident Ján Budaj, who wore it while working as a manual labourer.Young Amílcar Cabral, who subsequently became a legendary Guinean leader of the anti-colonial movement, bought the zmijovka cap during a winter visit to Czechoslovakia. The chance purchase transformed this headwear from a humble accessory into a symbol of defiance against colonialism. The hat’s popularity surged in Africa, leading to increasing demand for this distinctive Czech product across the continent. Deffontaines’ documentary weaves together various threads, exploring both the rise of the anti-colonial movement in Africa and the history of the budajka in the Czechoslovak territory.

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这剧好多庆余年的人呀，韩总管和自称姐夫的都在。不爱干净的老头啊啊啊啊啊！怎么可以让那么好看的男的打扮的如此“狼狈”！呜呜呜?徐母之死隐瞒了那么久，咋现在在什么都不安全的情况下就告诉徐呢？青州王手里把玩着佛珠嘴里感叹惋惜林家，可是事儿都是他干的（咋感觉religion都是道貌岸然呢？）派三批刺客刺杀徐就是为了让掌握青州钱财的林家倾覆；他儿子刺杀徐后嫁祸韦家儿子，他这个做爹的说要慈悲为怀，然后就杀人全家，美其名曰一家人要整整齐齐的嘛?男频小说和言情小说看得就是一个意淫哈哈哈?男

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知道什么是思念吗？是高山上盖庙还嫌低，是面对面坐着，还想你！非诚勿扰，转眼间已经到了第三部，未来也发展到了人工智能陪伴身边，我们的主人公勤奋，守护的爱情，是他的软肋，也是他的铠甲。挂念的笑笑，又来到的身边。什么是挂念？挂念就是害怕，怕你过不好，怕你受委屈，怕你不回来。值得反复观看的电影，希望所有人都能喜欢。[非诚勿扰]

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《宸汐缘》的编剧必然是熟读《红楼梦》之人，这一点毋庸置疑。“佛眼看世界”是《红楼梦》的一大特色，作者怀着悲悯之心设身处地去理解每一个人物，也希望能把这种态度传递给读者。而缘缘的作者在这一点上，有着学习红楼，效法红楼的雄心。这份悲悯并不是没有原则地赞同人物所有的所作所为，这份悲悯是去看到他们的挣扎，同情他们的不得已，体悟他们的苦。生好恶心容易，因为那是本能反应；生悲悯心难，这需要通过修习。怀悲悯心处世待人，这一重境界也许做不到，但不可不知道。在景休还是个孩子的时候，或许是

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个人最喜欢的就是人生感悟类的电影，这不是一种鸡汤，其中的百转千回的细腻有的时候真的有了人生阅历才会更加，也会突然想起就泪如雨下，就像昨天看sir电影写热辣，提到李焕英的一个镜头，李焕英说健康快乐就好贾玲一甩眼泪，我就跟着哭了。没必要扯什么大成本大特效，这一个镜头，我每次看都眼泪哗哗的，所以我会期待热辣滚烫，期待这种剖开自己的表达，捕捉漫长琐碎生活里击中内心的瞬间。这一点我很相信贾玲。